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After many years navigating the outskirts of bluegrass and acoustic music, Tim O’Brien’s dusky, unmistakable vocal timbre and instrumental stylings have this time landed with two feet squarely back in bluegrass. Born in Wheeling, West Virginia on March 16, 1954, Grammy winning singer songwriter and multi instrumentalist Tim O’Brien grew up singing in church and school, and after seeing Doc Watson on TV, became a lifelong devotee of old time and bluegrass music. Tim first toured nationally in the 1980’s with Colorado bluegrass band Hot Rize. Kathy Mattea scored a country hit with his song Walk The Way The Wind Blows in 1986, and soon more artists like Nickel Creek and Garth Brooks covered his songs. Over the years, Tim has released 15 solo CDs, as well as collaborations with his sister Mollie O’Brien, songwriter Darrell Scott, and noted old time musician Dirk Powell. He’s performed or recorded with Steve Earle, Mark Knopfler, Bill Frisell, and Steve Martin, and produced records for Yonder Mountain String Band, Kathy Mattea, and Canada’s Old Man Luedecke. His latest release ‘Tim O’Brien Band’ is the coming together of a group of musicians perfectly aligned in intention and ability. Purposefully hack, the title is a nod to the nuts and bolts of trad bluegrass, and the singular energy a band such as this can conjure. Well known instrumentalists Mike Bub (bass), Shad Cobb (fiddle) and Patrick Sauber (banjo/guitar) bring the same team effort to the studio that O’Brien fans know from recent live performances, forging Tim’s song choice and delivery into something fluid and breathing. ‘This crew has the potential to make ten more records together and never reach the limit of the possibilities’. Particularly noteworthy are the harmony vocals of Jan Fabricius. ‘We've sung together informally since she became my partner seven years ago, and she's always had a real natural way with the harmony, kinda pasting her sound onto mine’. Her distinctly folky voice is serendipitously matched with Tim’s, and consonant with his arrival at the bluegrass world from the side of a folk musician. Tim O’Brien Band is also a return to where it all started for Tim - as a guitarist. As audiences can attest, Tim’s elastic yet menacingly groovy guitar playing is as pivotal to his sound as his mandolin playing. ‘Something about lead singer and guitar player makes so much sense’ says Tim. With his 1937 Martin OO-18, Tim O’Brien Band marks a return to the place that Jimmy Martin, Lester Flatt and Carter Stanley held at the helm of their bands. Tim’s mandolin and fiddle cravings are satisfied on select tracks, through occasional overdubbing, and with the help of special guest guitarist and Hot Rize cohort Bryan Sutton on two numbers. Tim O’Brien Band is a return to bluegrass, but also a continuation of the Crooked Road that Tim sings about on the final track. It’s new, but familiar in the same way that we have watched his career wind from port to port. ‘I walk a crooked road, it leads me to tomorrow / through all my joy and sorrow I walk a crooked road’. Opening: THE BURYING GROUND The Burying Ground formed in 2014 as a duo, but Woody Forster and Devora Laye are often accompanied by a rotating cast of masterful session and backing musicians. They are steeped in influences from 1920’s ragtime, country & western, Mississippi blues and New Orleans jazz. Woody’s complex blues guitar and rags are punctuated and raised high by Devora’s tightly syncopated washboard, with playful rolls and staccato jumps and stops. Their solo and combined vocal styling is deeply resonant and heartfelt. Devora’s sound when masterfully bowing the saw is transportive. The Burying Ground has been charming diverse crowds, across all ages and musical tastes, in venues large and small throughout Western Canada and the United States. "Taking vintage blues and jazz, swing, old-timey country and folk as their templates, this super-cool duo pens authentic sounding material that appears as if plucked from the Alan Lomax archives, but also bears the gritty qualities of their punk rock background. " - David Morrison of Folk Radio UK's Top ten albums of 2017Find out more »
MARIN PATENAUDE With favourably raucous and precious moments, Marin Patenaude deftly stitches together an urban edge with the waving grasses of country folk. Layered, living and inspirited by wildness, Marin’s voice is strong. A purity in her lyrics pairs with the complexity of her composition, demonstrating poetic restraint and focus. With the 2016 release of her debut album, the self-titled Marin Patenaude and the Follow Through, years of practice are distilled into a potent potion of ‘Confessional Folk’. The Follow Through features Cole Schmidt, Pete Schmitt, and Skye Brooks of Vancouver, often joined by other local treasures in the jazz/country/folk world of big feelings and risk taking including Peggy Lee and Scott Smith. Raised in rural Horsefly BC, Marin’s musical acumen is a family affair. She is the younger sister of Juno-award winning Pharis Romero (Pharis and Jason Romero), and was raised on harmony and sawdust in a family band of Folk and Country. It was as sweet as it sounds, and it set up all four children with a life long relationship to music. Extensive vocal training through the Royal Conservatory of Music and the Capilano College’s Jazz program led to a nationally accredited voice and a style that through phrasing and melody is clearly her own. She’s an accomplished piano player and plays an old guitar like a long lost lover and can find and sing the harmony in anything. Being regarded as a hobby and something unrealistic, Marin didn’t pursue a career in music until 2015 when she returned to Vancouver, formed The Follow Through and recorded her debut album. Marin’s love of nature, magic and the human condition transform under skillful charm. Landscapes of her youth saturate songs like No Sleeping it Off and Take You By Surprise, while the tensions of woe and letting go are found in The Dark and Go Home; structure and form that contain genuine vulnerability. It’s truth and transcendence like an honest drink. Influenced by Joni Mitchell, Bonnie Raitt and Tori Amos, Marin’s affinity with these artists alludes to the full, rich quality of her voice and her compositions. “It’s a rarity to find an artist who is just as comfortable in the green fields of country/roots as they are in the smoky city backrooms of jazz and soul” – Michael Brennan (Ride The Tempo) “Her songs were so pure and deep. Her voice, otherworldly. She was really absorbed in the music and so was I. She got me good.” - Ben Arsenault (Real Ponchos) Georgia Straight “Sinuously seductive earworms to bleakly heartbroken balladry” , “a vocalist with genuine star power”– Alex Varty (Georgia Straight) MARK STUART Mark Stuart tours full-time as a musical artist, bringing his years of experience to the stage. Onstage, his focus is on the songs he has penned and recorded, delivered with a soulful singing voice and highly memorable guitar playing. After many years on the Americana/Folk circuit, Stuart has cultivated a very rounded performance. His show consists of storytelling, flashy guitar chops, and songs that draw from his rock, blues, country, and folk music roots. Mostly, this artist from Tennessee has toured solo or in a notable duo with his wife Stacey Earle. There were stints along the way as a sideman, though (Steve Forbert, Freddy Fender, Steve Earle, Joan Baez). If placed on the bill with a contemporary artist he is usually asked to play guitar on their portion of the show. Just ask Ray Wylie Hubbard or Jimmy LaFave. One can find Mark Stuart on any given night in a small theater, coffeehouse, house concert, festival stage, club, church auditorium, etc. giving it his all. Aside from that, he could be instructing at a guitar clinic, songwriting workshop, or playing on someone's recording session. As co-owner of Gearle Records he has produced or co-produced many albums. Stuart's career has repeatedly taken him to all of the USA, Canada, Europe and the United Kingdom, and has spanned several decades.Find out more »