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October 2019

The Young’uns at The Rogue Folk Club

October 24 @ 8:00 pm - 10:30 pm PDT
St. James Hall, 3214 W. 10th Ave.
Vancouver, British Columbia V6K 2L2 Canada
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Teesside's triumphant trio The Young'uns, current holders of BBC Radio 2 Folk Awards coveted "Best Group" title, have proved themselves a unique proposition - writing and performing a cappella or subtly accompanied songs that tell it how it is alongside traditional songs from their native North- East and further afield - songs of conscience, songs of warmth and wit, songs to provoke, songs to inspire. Renowned for their pitch perfect harmonies and rapid fire humour, their live show undeniably has the human touch. Always engaging, frequently heart- warming, they have built an enviable audience rapport. They are an act that truly takes the cliché out of the "make you laugh, make you cry" tag. Just two years after giving up their day jobs, Stockton Folk Club's star pupils have had a milestone year with the release of their third studio album Another Man's Ground, an appearance at America's Folk Alliance, collectively celebrating their 30th birthdays and racking up accolades including Best Group in the FATEA Awards, Best Live Act in the Spiral Earth Awards and listed as one of MOJO's "Best Albums" in 2015. A decade of performance around the country, national radio sessions, more than 40 festival appearances (Cambridge to Glastonbury) and increasingly acclaimed album releases has delivered a gregarious, sharply honed, pull no punches act that clinched the Best Group trophy at the 2015 BBC Radio 2 Folk Awards in Cardiff - a hugely popular result that saw them beating off opposition including the mighty Bellowhead. Beguiling audiences around the world, they seamlessly switch from beautiful ballads to brilliant banter, from profoundly poignant songs to infectiously irreverent humour. This, combined with their passion for storytelling and commitment to maintaining the tradition of social commentary, has led to five star reviews, live sessions on BBC Radio 2, 3 and documentaries on Radio 4 as well as countless sell out shows and main stage festival appearances throughout the UK and abroad. They are a superb live act who should not be missed! "Glorious harmonies, waspish wit, powerful songs and relentless banter.....irresistible" 5 stars - The Guardian 4 stars - The Times "...a touching British affair" - The Observer "Great singers and very, very funny" - Mark Radcliffe, BBC Radio 2 "Epic...in Cooney, The Young'uns clearly have a songwriter of considerable talent" 4 stars - Songlines "With a rare vocal affinity usually the reserve of close blood relations ... richly melodic, lyrically elegant and wryly observant ... The Young'uns have something to say and something that demands to be listened to" - The Living Tradition "Magnificent...destined to become hailed national treasures before too long" 5 stars - Maverick

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November 2019

Stephen Fearing | Matt Patershuk

November 1 @ 8:00 pm - 10:30 pm PDT
St. James Hall, 3214 W. 10th Ave.
Vancouver, British Columbia V6K 2L2 Canada
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$28

Stephen was born in 1963 in Vancouver, but grew up in Dublin, Ireland where his schoolmates included future members of U2. In 1981, he moved to Minneapolis, Minnesota and immersed himself in the music scene, learning the fundamentals of song writing and performing, while washing dishes to stay alive. By 1984 he was back in Vancouver, determined to become a professional musician. In the years since, he's been named as one of the finest songwriters in Canada. He built a national and international audience for his music, doing it old school through countless performances at intimate venues and on the concert stages of festivals and theatres across Canada, the US, and the UK, with appearances at major events like the Reading Festival and WOMAD, to name just a few. Fearing has released ten albums as a solo artist, featuring musical guests including: Bruce Cockburn, Margo Timmons, Richard Thompson, Shawn Colvin, Sarah McLachlan, and Suzie Vinnick. As co-founder of Blackie and the Rodeo Kings he has released nine albums, and two albums as half of the duo Fearing & White. Like the guests on his albums, the many awards and nominations* that have come his way over the years speak to the respect he has earned among his peers, presenters, and critics. With a life of many relocations and countless months on the road performing, Fearing is a gifted storyteller and true musical nomad with the ability to captivate audiences of all sizes and attitudes. “Getting on stage is the fun part, especially when the adrenaline kicks in,” he says, with a broad smile. “People want to relax and be taken on a journey. I sketch out my shows so they deliver on that.” When not working behind the microphone, Fearing spends time producing records including Suzie Vinnick’s Juno Award-nominated album Happy Here. “With producing, I really enjoy collaborating with other artists. It’s a blast and, as a bonus, gives me a chance to learn and expand my skill set.” The Juno Award-winner also shares his knowledge and experience with fellow musicians through songwriting workshops (often scheduled in conjunction with festival appearances). “The classes dovetail nicely with performing,” he said. “My students are from all walks of life and I enjoy helping to coax them out of their comfort zones to create songs they might not have otherwise developed.” “Without a shadow of a doubt, one of the best songsmiths on the planet. Quality albums…stunning shows.” - BBC “Fearing (is) a king amongst minstrels.” – The Halifax Chronicle Herald “A master of the finely-turned phrase and the perfectly-pitched line.”- Maverick Magazine “Fearing’s music crackles with ideas and collaborative energy… masterful guitar work from acoustic rock rhythm to elegant finger style.” Acoustic Guitar Magazine Opening: MATT PATERSHUK Somewhere out past where the highway ends, far from the creative meccas of Montreal, Toronto and Vancouver, one of Canada’s best-kept musical secrets has been perfecting his craft. For more than a decade now, Matt Patershuk - when he’s not building bridges or chasing his family’s ever-growing herd of horses, sheep and goats around his land - has been writing and performing some of the most beautiful, endearing and true music ever created in this country. A master songwriter, it’s in the intersection between lyrics and melody that Matt Patershuk’s musical magic finds its truest expression. As someone who believes that less is often best, Matt communicates a lot more soul and range of emotions in a single verse than other artists can in a whole song. His newest album, If Wishes Were Horses, on the Black Hen Music label, communicates the huge strides Matt has made as an artist since the release of ‘Same As I Have Ever Been,’ his last release from 2017 and represents his fourth collaboration with the award winning string player and producer, Steve Dawson.

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The East Van Gogos Present TriVo & Kurai Mubaiwa

November 3 @ 7:00 pm - 10:30 pm PST
St. James Hall, 3214 W. 10th Ave.
Vancouver, British Columbia V6K 2L2 Canada
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$30

THE EAST VAN GOGOS Present 'Small Change For Big Change'! All proceeds from this concert will go to the Grandmothers to Grandmothers Campaign of the Stephen Lewis Foundation, which supports grandmothers ("Gogos" in Zulu) raising a generation of children orphaned by the AIDS pandemic in 15 African countries. Grandmothers in Africa have risen above their grief to put their grandchildren through school while leading the way by rebuilding communities and advocating for change in their societies. Canadians have raised more than $27 million for the campaign, which supports community-based organizations that provide necessities such as school fees and uniforms, counselling for grandmothers and orphaned children, and micro-credit loans. The East Van Gogos is one of more than 250 such groups across Canada. The Grandmothers Campaign movement, founded in 2006, is growing, with groups now in Australia, Great Britain and the U.S. For more information, please email eastvangogos@gmail.com. Join the East Van Gogos for this musical event in partnership with the Rogue Folk Club. The evening includes the always-inspiring vocal harmonies of TriVo, as well as uplifting songs by Kurai Mubaiwa from Zimbabwe. Come ready to parlay your “small change” into big change by participating in the raucous live Loonie Auction, where every auction item will cost you only a loonie! TRIVO TriVo is Brian Tate, Dawn Pemberton and Karla Mundy. An award-winning composer, as well as an accomplished and versatile musician, choir director, and educator, Brian Tate attributes the success of his multifaceted career to a love of working with people and a passion for the arts. As a vocalist, Brian performs with his jazz quartet at festivals, clubs, and in concert. In 2010, Brian founded Vancouver's 100+ voice City Soul Choir. He is known internationally for his lively choir workshops, excellent conducting skills, gift for bringing out the best in choirs, and for his exhilarating and inspiring choral compositions / arrangements. Vancouver soul dynamo Dawn Pemberton has a deep musical foundation rooted in tradition. Dawn spent her formative years surrounded by a family of multi-instrumentalists and developed a true love of music as a young girl. In addition to regularly collaborating on the projects of her peers and having an educated background in jazz voice and piano, Dawn is a talented and passionate songwriter in her own right. A staple of the West Coast music scene, Dawn can be found tearing it up as a vocalist, arranger, and go-to for live performances and studio sessions. Karla Mundy is a vibrant, soulful and diverse vocalist, pianist, arranger and choir leader. Karla directs five Vancouver community choirs including the City Soul Choir, co-conducts the Island Soul Choir on Vancouver Island, leads harmony singing workshops and performs extensively throughout BC and Alberta. Karla specializes in world vocal traditions and rhythms and is passionate about ‘getting the music off the page’ and learning to embody the rhythm of the music. Together, these talented folks make up TriVo ... a dynamic and versatile vocal trio that brings to life music from many cultures and traditions around the globe. From the music of West Africa to Southern Bluegrass, Bach to Bebop, Cuban chants to Gospel shouts, the vocal artistry of Trivo thrills and delights audiences of all ages. KURAI MUBAIWA Kurai Blessing Mubaiwa was born in 1976 in the village of Mutimbanyoka, in Murewa district, Zimbabwe. With an exceptional interest as a young child he began playing mbira at the age of six. This keen learner watched while his father, uncles and other village elders played mbira in traditional ceremonies and soon he began his journey as a young child singing, dancing, playing mbira and drums in traditional ceremonies and other village gatherings. In 1994 Kurai moved to the city of Harare where he joined the cultural group Savannah Arts where he learned to play marimba and trained as an actor. Here he facilitated and coordinated the Streets Ahead programme which focused on teaching street youth to play marimba. In 1995 he participated in The Youth Forum and taught cultural arts in Copenhagen and Arhus in Denmark. In 1998 Kurai toured West Africa and Europe with Chiwoniso Maraire and opened for Cesaria Evora. In 2000 he joined Theatre Talipot in Reunion Island performing in the production, Passage, which also toured South Africa, France and Scotland. Kurai immigrated to Vancouver in 2002 where he began his Canadian musical journey. Here he began teaching at the Britannia World Music Program facilitating and instructing children, youth and adults marimba classes until 2010. He continues to facilitate and instruct marimba, singing, mbira and drumming workshops in Vancouver, Vancouver Island, the Gulf Islands, across Canada, and into North America and Europe. Kurai also continues to perform as the lead musician with the group ZimbaMoto and Zhambai Trio.  As a solo act, Kurai also tours the world performing and teaching, singing, marimba and mbira at festivals as WOMAD, ZimFest and Montreal Jazz Festival.

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Fortunate Ones | Sherman Downey

November 8 @ 8:00 pm - 10:30 pm PST
St. James Hall, 3214 W. 10th Ave.
Vancouver, British Columbia V6K 2L2 Canada
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$24

Catherine Allan and Andrew O’Brien know a lot about what it takes to make a good partnership. Their debut album, The Bliss was nominated for a JUNO Award, garnered two #1 singles on CBC Radio 2’s Top 20, won the 2016 “Rising Star” ECMA, the 2015 “Vocal Group” Canadian Folk Music Award, and four 2015 Music Newfoundland and Labrador Awards. Over the last five years they have played over 300 shows together and have even garnered the attention of Prime Minister Justin Trudeau when he singled out a track from their 2016 Christmas EP All Will Be Well, as one of his favourite listens for the holidays. Newfoundland duo Fortunate Ones’ second album Hold Fast is a study in resilience and partnership. With the whirlwind that has been the band’s first 5 years it seems apt that the first track on this record, “Northern Star” calls on listeners to reflect, stay strong, and move forward. The song ‘Steady As She Goes’ is dedicated to all those affected by the Fort McMurray wildfire of 2016, especially the first responders. Inspired by a true story, it speaks to how one person relies on another in the face of loss and insurmountable challenge. Fortunate Ones were supported by a remarkable array of collaborators on Hold Fast, including songwriters Alan Doyle (Great Big Sea), Tim Baker (Hey Rosetta!), and Meg Warren (Repartee). Musically, the cast here includes Jim Bryson, Good Lovelies, Alexa Dirks (Begonia), Kinley Dowling (Hey Rosetta!), and the multi-talented Daniel Ledwell who produced the album at his studio in Lake Echo, Nova Scotia. This collective effort has yielded songs from a band whose humility and quiet dignity belies a roaring artistic heart, which has been captured beautifully on Hold Fast. “Fortunate Ones are fully contemporary, yet when you watch them you can’t help but feel you’re watching the ‘next in line’ of great Newfoundland entertainers.” – Tom Power, CBC Radio "Fortunate Ones are a rare gem. Two voices singing as one." - Alan Doyle, Great Big Sea Opening: SHERMAN DOWNEY Sherman Downey’s radio-friendly brand of upbeat folk/pop appeals to a wide demographic. His debut album "Honey For Bees” was well received by fans and critics alike, earning him ‘Musicnl’s Male Artist of the Year’ and broadening his reach on an international stage. His highly anticipated second release "The Sun In Your Eyes" was awarded ‘MusicNL's Pop/Rock Recording of the Year' and given Newfoundland and Labrador's 'SOCAN Songwriter of the Year' distinction as well as an ECMA nomination for ‘Group Recording of the Year’ with his band, The Ambiguous Case. The album's first single 'Thick as Thieves” went on to win Sherman the CBC's inaugural Searchlight Prize as ‘Canada's Best New Artist’ while increasing his profile as a touring act with a growing fan base. Sherman’s latest collection of songs, entitled ‘New Beautiful’, offers a glimpse at what it’s like to wander from home and long for return. Fans of his first two albums will be happy to hear familiar character-driven songs that embrace the folk and country roots he cut his teeth on, but will no doubt notice a new musical exploration. Downey delves into straight-up keys-pop before switching into gritty up-close-and-personal meanderings on parlour guitar and piano with lush strings and horns sweeping in to carry the listener through the album. When he sings of letting loose in the local dance hall, people-watching from the front porch, or playing with love in out-of-the-way gas stations, Sherman speaks to those of us who yearn for some sort of change in their day to day. ‘New Beautiful’ will be available in the coming months--stay tuned!

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Tim O’Brien Band | The Burying Ground

November 22 @ 8:00 pm - 10:30 pm PST
$32

After many years navigating the outskirts of bluegrass and acoustic music, Tim O’Brien’s dusky, unmistakable vocal timbre and instrumental stylings have this time landed with two feet squarely back in bluegrass. Born in Wheeling, West Virginia on March 16, 1954, Grammy winning singer songwriter and multi instrumentalist Tim O’Brien grew up singing in church and school, and after seeing Doc Watson on TV, became a lifelong devotee of old time and bluegrass music. Tim first toured nationally in the 1980’s with Colorado bluegrass band Hot Rize. Kathy Mattea scored a country hit with his song Walk The Way The Wind Blows in 1986, and soon more artists like Nickel Creek and Garth Brooks covered his songs. Over the years, Tim has released 15 solo CDs, as well as collaborations with his sister Mollie O’Brien, songwriter Darrell Scott, and noted old time musician Dirk Powell. He’s performed or recorded with Steve Earle, Mark Knopfler, Bill Frisell, and Steve Martin, and produced records for Yonder Mountain String Band, Kathy Mattea, and Canada’s Old Man Luedecke. His latest release ‘Tim O’Brien Band’ is the coming together of a group of musicians perfectly aligned in intention and ability.  Purposefully hack, the title is a nod to the nuts and bolts of trad bluegrass, and the singular energy a band such as this can conjure. Well known instrumentalists Mike Bub (bass), Shad Cobb (fiddle) and Patrick Sauber (banjo/guitar) bring the same team effort to the studio that O’Brien fans know from recent live performances, forging Tim’s song choice and delivery into something fluid and breathing. ‘This crew has the potential to make ten more records together and never reach the limit of the possibilities’. Particularly noteworthy are the harmony vocals of Jan Fabricius. ‘We've sung together informally since she became my partner seven years ago, and she's always had a real natural way with the harmony, kinda pasting her sound onto mine’. Her distinctly folky voice is serendipitously matched with Tim’s, and consonant with his arrival at the bluegrass world from the side of a folk musician. Tim O’Brien Band is also a return to where it all started for Tim - as a guitarist. As audiences can attest, Tim’s elastic yet menacingly groovy guitar playing is as pivotal to his sound as his mandolin playing. ‘Something about lead singer and guitar player makes so much sense’ says Tim. With his 1937 Martin OO-18, Tim O’Brien Band marks a return to the place that Jimmy Martin, Lester Flatt and Carter Stanley held at the helm of their bands. Tim’s mandolin and fiddle cravings are satisfied on select tracks, through occasional overdubbing, and with the help of special guest guitarist and Hot Rize cohort Bryan Sutton on two numbers. Tim O’Brien Band is a return to bluegrass, but also a continuation of the Crooked Road that Tim sings about on the final track. It’s new, but familiar in the same way that we have watched his career wind from port to port. ‘I walk a crooked road, it leads me to tomorrow / through all my joy and sorrow I walk a crooked road’. Opening: THE BURYING GROUND The Burying Ground formed in 2014 as a duo, but Woody Forster and Devora Laye are often accompanied by a rotating cast of masterful session and backing musicians. They are steeped in influences from 1920’s ragtime, country & western, Mississippi blues and New Orleans jazz. Woody’s complex blues guitar and rags are punctuated and raised high by Devora’s tightly syncopated washboard, with playful rolls and staccato jumps and stops. Their solo and combined vocal styling is deeply resonant and heartfelt. Devora’s sound when masterfully bowing the saw is transportive. The Burying Ground has been charming diverse crowds, across all ages and musical tastes, in venues large and small throughout Western Canada and the United States. "Taking vintage blues and jazz, swing, old-timey country and folk as their templates, this super-cool duo pens authentic sounding material that appears as if plucked from the Alan Lomax archives, but also bears the gritty qualities of their punk rock background. " - David Morrison of Folk Radio UK's Top ten albums of 2017

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Le Vent du Nord

November 26 @ 8:00 pm - 10:30 pm PST
St. James Hall, 3214 W. 10th Ave.
Vancouver, British Columbia V6K 2L2 Canada
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$40

The award winning and highly acclaimed band Le Vent du Nord is a leading force in Quebec’s progressive francophone folk movement.  The group’s vast repertoire draws from both traditional sources and original compositions, while enhancing it’s hard-driving soulful music (rooted in the Celtic diaspora) with a broad range of global influences. Featuring button accordion, guitar and fiddle, the band’s sound is defined by the hurdy-gurdy, which adds an earthy, rough-hewn flavor to even the most buoyant dance tunes.” — Boston Herald Since its inception in August 2002, Le Vent du Nord has enjoyed meteoric success, performing well over 1,800 concerts over 5 continents and racking up several prestigious awards, including a Grand Prix du Disque Charles Cros, two Junos (Canada’s Grammys), a Félix at ADISQ, a Canadian Folk Music Award, and “Artist of the Year” at the North American Folk Alliance Annual Gala. The group exhibits great finesse and flexibility, appearing regularly on Canadian, American, French, and UK television and radio, and participating in a wide variety of special musical projects. They’ve collaborated and performed with a diverse range of artists including: Harry Manx, Väsen, Dervish, The Chieftains, Breton musical pioneer Yann-Fañch Kemener, Québecois roots legend and master storyteller Michel Faubert, the Scottish folk band Breabach, singer Julie Fowlis, and the trans-Mediterranean ensemble Constantinople. Not content with standard approaches to tradition, Le Vent du Nord has also created a symphonic concert that, according to Voir Montreal, “puts all traditional folk naysayers to shame.” On stage these friends create intense, joyful and dynamic live performances that expand the bounds of tradition in striking global directions. This is the modern sound of tradition, a music of the here and now. WHAT THEY'RE SAYING: “A classy & rousing set by Quebec Folk heroes.” – 4 STARS – The Guardian "Leave a positive feelgood feeling all over the body." – Lira Magazine "Exceptionally skilled, exceptionally experienced, and exceptionally entertaining." – Sing Out! "Sur toute la ligne, 53 minutes de pur bonheur. EXCELLENT. "  Journal de Quebec "Québec couldn’t hope for better advocates of its folk music ." Top of the world selection – Songlines "Top Ten Folk Albums of 2009" – Boston Globe "Top Ten International Albums of 2009" – Los Angeles Times

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Marin Patenaude & Mark Stuart in Vancouver!

November 29 @ 8:00 pm - 10:30 pm PST
St. James Hall, 3214 W. 10th Ave.
Vancouver, British Columbia V6K 2L2 Canada
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$24

MARIN PATENAUDE With favourably raucous and precious moments, Marin Patenaude deftly stitches together an urban edge with the waving grasses of country folk. Layered, living and inspirited by wildness, Marin’s voice is strong. A purity in her lyrics pairs with the complexity of her composition, demonstrating poetic restraint and focus.  With the 2016 release of her debut album, the self-titled Marin Patenaude and the Follow Through, years of practice are distilled into a potent potion of ‘Confessional Folk’. The Follow Through features Cole Schmidt, Pete Schmitt, and Skye Brooks of Vancouver, often joined by other local treasures in the jazz/country/folk world of big feelings and risk taking including Peggy Lee and Scott Smith. Raised in rural Horsefly BC, Marin’s musical acumen is a family affair. She is the younger sister of Juno-award winning Pharis Romero (Pharis and Jason Romero), and was raised on harmony and sawdust in a family band of Folk and Country. It was as sweet as it sounds, and it set up all four children with a life long relationship to music. Extensive vocal training through the Royal Conservatory of Music and the Capilano College’s Jazz program led to a nationally accredited voice and a style that through phrasing and melody is clearly her own. She’s an accomplished piano player and plays an old guitar like a long lost lover and can find and sing the harmony in anything. Being regarded as a hobby and something unrealistic, Marin didn’t pursue a career in music until 2015 when she returned to Vancouver, formed The Follow Through and recorded her debut album.  Marin’s love of nature, magic and the human condition transform under skillful charm.  Landscapes of her youth saturate songs like No Sleeping it Off and Take You By Surprise, while the tensions of woe and letting go are found in The Dark and Go Home; structure and form that contain genuine vulnerability. It’s truth and transcendence like an honest drink. Influenced by Joni Mitchell, Bonnie Raitt and Tori Amos, Marin’s affinity with these artists alludes to the full, rich quality of her voice and her compositions. “It’s a rarity to find an artist who is just as comfortable in the green fields of country/roots as they are in the smoky city backrooms of jazz and soul” – Michael Brennan (Ride The Tempo) “Her songs were so pure and deep. Her voice, otherworldly. She was really absorbed in the music and so was I. She got me good.”  - Ben Arsenault (Real Ponchos) Georgia Straight “Sinuously seductive earworms to bleakly heartbroken balladry” , “a vocalist with genuine star power”– Alex Varty (Georgia Straight) MARK STUART Mark Stuart tours full-time as a musical artist, bringing his years of experience to the stage. Onstage, his focus is on the songs he has penned and recorded, delivered with a soulful singing voice and highly memorable guitar playing. After many years on the Americana/Folk circuit, Stuart has cultivated a very rounded performance. His show consists of storytelling, flashy guitar chops, and songs that draw from his rock, blues, country, and folk music roots. Mostly, this artist from Tennessee has toured solo or in a notable duo with his wife Stacey Earle. There were stints along the way as a sideman, though (Steve Forbert, Freddy Fender, Steve Earle, Joan Baez). If placed on the bill with a contemporary artist he is usually asked to play guitar on their portion of the show. Just ask Ray Wylie Hubbard or Jimmy LaFave. One can find Mark Stuart on any given night in a small theater, coffeehouse, house concert, festival stage, club, church auditorium, etc. giving it his all. Aside from that, he could be instructing at a guitar clinic, songwriting workshop, or playing on someone's recording session. As co-owner of Gearle Records he has produced or co-produced many albums. Stuart's career has repeatedly taken him to all of the USA, Canada, Europe and the United Kingdom, and has spanned several decades.

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Mairi Rankin & Eric Wright in Vancouver

November 30 @ 8:00 pm - 10:30 pm PST
St. James Hall, 3214 W. 10th Ave.
Vancouver, British Columbia V6K 2L2 Canada
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$24

Mairi Rankin is a legend on the Canadian music scene – she plays fiddle, sings and also step-dances up a storm. Born in Mabou, Nova Scotia, Mairi has been influenced by some of the best Cape Breton traditional musicians and instructors on the island. She has developed her own unique style by being immersed in such a rich musical culture. She has toured nationally and internationally as a solo artist, a sideman and is a member of the Cape Breton Celtic super group Beolach. She has performed with the Rankin Sisters, Unusual Suspects and Bruce Guthro to name but a few. Mairi has recorded one solo album, two CDs with Beolach and has been featured on numerous compilations and recordings. Eric Wright, cellist of The Fretless fame, joins Mairi in an inspired pairing. The duo has been collaborating on several music projects. Eric Wright picked up the cello at age 7, and began his musical career as a classically trained musician. By 13, he was teaching group and private lessons in Vermont, while playing in numerous chamber groups and orchestras. While he loved classical music, his father’s background in Irish and Old Time American fiddling was what really drew him in. Eric attended the Berklee College of Music where he studied folk styles and graduated Magna Cum Laude as a Professional Music major, focusing on Irish Cello Performance. Eric has since joined forces with the multi-award winning group, The Fretless, a contemporary traditional fusion group, and has been touring all over Canada, the US, and Europe ever since. When not on tour with the Fretless, Eric is the Celtic/Old Time cello, guitar, and banjo teacher at many music camps.

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December 2019

Ian Foster and Nancy Hynes “A Week In December”

December 3 @ 7:00 pm - 10:00 pm EST
Take Note! Music House, given upon reservation (downtown Barrie, near the courthouse)
Barrie, ON L4M 1J5 Canada
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$20

The Take Note! Music House presents Newfoundland performers Ian Foster and Nancy Hynes in their seasonal concert “A Week in December”, on Tuesday, December 3 at 7:00 pm (doors open at 6:30). Requested donation is $20, with all proceeds going directly to the artists. You may reserve your seat by emailing concerts@takenotepromotion.com or calling 705-305-1687 (yes, the phone is working again – it’s a Christmas miracle!). The address is given upon reservation – downtown Barrie, near the courthouse. Ian Foster, native of Newfoundland, is a storyteller. That music is the way he tells those stories only makes the telling richer still. Modern folk wrapped in Canadiana, Ian’s writing style belies a love of history, home and the humble tale. Last year, he teamed up with his long time partner in life and song, Nancy Hynes, to release “A Week in December” – a seasonal album. Nancy’s voice can be heard on most of Ian’s catalogue, as well as countless albums from NL, where she lends and blends her voice with some of the province’s best singers. Ian Foster (www.ianfoster.ca) “A fine example of what a 21st century folk performer should be doing.” Ian Foster’s story- and character-driven lyrics mix with a modern sensibility. Often likened to Canadian songwriting icon Bruce Cockburn in both writing and guitar style, and to artists like Daniel Lanois for his atmospheric approach to sound, Ian’s music has been described as thoughtful, introspective, cinematic, hopeful, and cathartic by critics and fans alike. He has numerous awards and nominations to his credit, including SOCAN Songwriter of the year nominations, multiple East Coast Music Association and MusicNL awards nominations, and a finalist with the International Songwriting competition. Amongst his many co-writing credits is a song with the legendary Canadian folk artist Ron Hynes (who appeared here in one of his final performances in 2015). “A tasteful contemporary singer/songwriter with a poet’s keen sense and a searcher’s infinite explorative mind.” Since Ian’s first performance (2014) at the Take Note! Music House, he has released both “A Week in December” and “Sleeper Years”, toured internationally, produced critically acclaimed and award-winning albums for artists like Kat McLevey and Melanie O’Brien, and has toured with his second short film, “Keystone”, which was called one of the top ten short films of the year by the Calgary International Film Festival. Ian has been touring since 2007, across Canada, the U.S., Germany, The Netherlands, Austria and Italy, and has had his music played on radio and television internationally. He has performed his music for audiences of all ages, from school workshops to seniors’ homes, festivals in Canada, U.S., and Italy, to soft-seat theatres, churches, pubs and house concerts – the constant has been connection with the audience. Much like our Take Note! Music House host, Ian continues to wear many musical hats, including touring songwriter, music producer, film director, writer, and composer. All of these different facets come together in his songwriting and performances, and we’re so happy to have him return to the TNMH. “Foster had a true knack for fully engaging the crowd with his genuine and light-hearted banter… a hit both with the audience, and certainly with us.” YouTube: https://www.youtube.com/channel/UCZDdLG0HU21dnk215ipoz9w Facebook: https://www.facebook.com/ianfostermusic/ "Old Christmas Day”:  https://youtu.be/zsSMSYkro-g “A Week in December”: https://youtu.be/6De3swwV5OQ

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John Reischman & The Jaybirds

December 5 @ 8:00 pm - 10:30 pm PST
St. James Hall, 3214 W. 10th Ave.
Vancouver, British Columbia V6K 2L2 Canada
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$28

Like the powerful mandolinist and composer at its helm, John Reischman and the Jaybirds fashion a stylish take on bluegrass that seamlessly blends original songs and instrumentals with Appalachian old-time music for a truly unique band sound. Now in their 20th year, with seven acclaimed albums and two Juno nominations, the Jaybirds are simultaneously innovative and unadorned, sophisticated and stripped-down, happily old-fashioned and 21st-century contemporary. Bluegrass Unlimited calls John Reischman “one of the world’s undisputed masters” of the mandolin, famed for outstanding tone and taste. Many of his dozens of original instrumentals have become popular favourites for sessions and covers, such as the jam standard Saltspring. He has three critically-acclaimed solo instrumental albums and has recorded on many other projects, including the Grammy-winning True Life Blues: The Songs of Bill Monroe. John also plays Latin-based jazz and choro music with highly regarded finger-style acoustic guitarist/composer John Miller; the duo has released three superb albums. John began his career in the San Francisco Bay area in the early ’80s with the eclectic Good Ol’ Persons bluegrass band. He was an original member of the legendary “new acoustic” quartet, the jazz-influenced Tony Rice Unit, renowned for highly skilled instrumentals. John moved to Vancouver in the early ’90s and in 1999 formed the Jaybirds. Of their latest album, Folk Radio UK said “On That Other Green Shore showcases an accomplished, experienced band at the peak of their powers, with musicianship of the very highest order.” Peghead Nation called it “one of the most beguiling bluegrass-rooted recordings of 2017.” Los Angeles, CA-based guitarist Patrick Sauber joined the Jaybirds in 2017. The veteran performer has played with, among others, Doc Watson, Richard Greene, John Jorgensen, Peter Rowan, Tim O’Brien and John Fogerty. He played on the 2016 Grammy-nominated album The Hazel and Alice Sessions by Laurie Lewis, and appeared in the film A Mighty Wind with Christopher Guest. Bluegrass Unlimited describes Patrick’s playing on John’s tune Daylighting the Creek as “a glorious flatpicking solo that hews back to the glory days of early bluegrass guitar.” Chilliwack, BC-based Trisha Gagnon is portrayed by Sing Out! as “one of the most versatile” and “irresistible” lead vocalists in bluegrass, her strong and distinctive style ranging from “mournful and plaintive” to “hopeful and yearning.” Trisha anchors what Dirty Linen magazine calls “gorgeous three-part harmonies.” She’s also known for songwriting, dating back to her early days with the award-winning B.C. bluegrass band Tumbleweed. Her solo album includes guests Vince Gill and Peter Rowan. Nanaimo, BC-based Nick Hornbuckle has developed his own voice on the five-string banjo – a two-finger roll unlike other contemporary banjo players. “Nick Hornbuckle’s banjo can be downright spine-tingling,” said the L.A Daily News. His solo album 12×2 ( /-1), was nominated for a Canadian Folk Music Award in 2015, and Nick is a composer who also digs for rare old-time gems. His sprightly instrumental Wellesley Station on the new Jaybird album “showcases Nick’s sharp picking and sense of melody,” said Green Man Review. Spokane, WA-based Greg Spatz is hailed as a “world-class bluegrass fiddler” by Fiddler Magazine. Audiophile Audition says Greg’s “virtuosic playing is flawlessly delivered time after time,” while Bluegrass Unlimited says he “lays down some seriously fine bluegrass fiddle” on the latest Jaybirds release. His strong chops have made him a popular fixture down through the years on the West Coast, where he’s played with iconic mandolinist Frank Wakefield, resophonic guitar master Rob Ickes, and many others including Laurie Lewis, Bryan Bowers, and Eli West and Cahalen Morrison. Greg also plays and records with Mighty Squirrel, has a solo album called Fiddler’s Dream and a duo recording with his wife called All Along the Sea, and is an award-winning novelist.

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