To add an event to the calendar, click here.
Upcoming Events › 1-just Announced
Events Search and Views Navigation
Tri-Continental is a collaborative evolution that fuses the talents of three wonderful guitar-players, singers and songwriters from Canada. There are no musical boundaries present in this one-of-a-kind blues/folk/world music mélange. Tri-Continental present a truly unique - and critically acclaimed - sound that is a great success in terms of soulfulness and presence, intensity and atmosphere. Bill Bourne - vocals, acoustic guitars, fiddle Bill Bourne is a masterful guitar-player and improvisor blessed with an vocal charisma of great intensity. A popular solo artist and songwriter in his native Canada, his past work also features a stint with popular Scottish folk outfit Tannahill Weavers and others project with folk artists like fiddler Shannon Jackson. His Juno-nominated solo album Victory Train was just one of his solo releases that introduced his individuality and musical integrity to the Canadian audience. Bill Bourne is quite a character - with the everpresent black top hat as his trademark. Lester Quitzau - vocals, slide guitars, acoustic and electric guitars, kalimba Lester is of Dutch/Danish descent. He plays soulful acoustic electric folk, blues and roots music. With an understated mastery and grace, the Juno award winning musician explores the space between the notes, as much as the notes themselves. Lester’s musical roots run so deep he can craft a musical cloth that quilts together ringing peals of West African-sounding guitar with the feel of free-form jazz, threaded through with unmistakable strands of gutbucket blues. Madagascar Slim - vocals, acoustic and electric guitars, valiha Totally in line with the blues tradition, this man from Antananarivo/Madagascar has chosen a moniker as his "blues name". A Toronto resident since 1979, Randriamananjara Radofa Besata Longin (that's his full name) is a good example for a truly bi-cultural artist. The musical worlds of the Africa are certainly part of Madagascar Slim's genetic make-up as well. An expert in the popular 'Salegy' dance style featuring intricate fingerpicking patterns, his life was changed forever when coming across the music of Jimi Hendrix. He has been inflicted with the blues virus ever since. Speaking of his own music, Slim likes to use the expression "Malagassy Blues". An expression right to the point, as his playing features blues riffs and African rhythms going hand in hand. His 1999 solo effort Omnisource made waves on the Canadian blues and world music scene and he received a Juno award for it. In Tri-Continental, Slim is also featured playing the valiha, a special zither from Madagascar made from bamboo. Michael Treadway - drums, percussion, vocals Michael “Barefoot” Treadway from British Columbia has been added to the performing group. “It’s all different because of working with Michael.” explains Lester Quitzau. “He can play all the different grooves that Bill, Slim and I have in our back pockets and he glues it all together. Now it feels as if there’s no limitations rhythmically as to what we can do. He’s an amazing drummer who can seem to play anything.” Bourne agrees that Treadway — who plays a drum kit and hand percussion — is a major find. “Michael is just a fabulous guy and a great drummer, and he’s in his thirties, so it’s kind of an injection of youth into the whole equation too.” Well over a decade after their last recording, a new one has finally arrived in the form of Dust Dance, an album that picks up where 2004’s Drifting left off, seemingly without missing a beat. As Tri-Continental, they create a sound that is based in blues and is greater than the sum of its parts. With a couple of songs that are closer to world music and a couple of others that lean to folk/country, the disc has plenty of variety. A synthesis of their individual talents that should make for an exciting evening!Find out more »
SARAH JANE SCOUTEN Three-time Canadian Folk Music Award nominee, Sarah Jane Scouten's music delivers a signature mix of vintage folk and country, with modern sounds and subjects. Sarah Jane is steeped in North American and British folk music from years of finding folk music at its source, from the folklorists of Vancouver Island to all-night jams in West Virginia, Sacred Harp singing in Kentucky, the song craft of Nashville, two-stepping in Louisiana and her Glasgow roots. Touring throughout North America and Europe, this seasoned performer boasts a top-notch live band and considerable acclaim for her last three full length albums. Raised in a musical family on Bowen Island BC, where harmony singing was as common as watching television, Sarah Jane commits to her roots, using her warbling voice and knack for storytelling to captivate and transport her audiences. Her songs run the emotional gamut, creating a world of characters who come alive in her often haunting, and equally whimsical ballads. Like any songwriter worthy of the name, she explores love with a fine-toothed comb, but isn't limited to romantic love. Love of a place, a time, the natural world and all its inhabitants tug at her sleeve, which she handles with equal power to delight and break a heart. Sarah Jane's upcoming fourth album Confessions, recorded in Toronto with veteran producer Andre Wahl, out soon on Light Organ Records, is a further exploration of Americana sounds and song forms. It is a collection of revelatory songs -- a series of confessions -- which valorize, condemn and eulogize the most important relationships of her life to new harrowing heights. Quotes: "Sarah Jane Scouten showcases a major talent and a whole lot of versatility." - No Depression "An agile voice, ruminative songwriting, and love for classic country, indie pop, and everything in between." - American Songwriter "Drawing upon traditional melodies that almost biologically are instantly singable, but combining them with emotions, sentiments and stories that are relatable even now. Stan Rogers was able to do it, Ron Hynes was able to do it, Kate McGarrigle was able to do it, and Sarah Jane Scouten is able to do it." - Tom Power, CBC q JOHN SMITH John Smith has built a reputation as one of the UK’s finest guitarists and songwriters. Born in Essex, raised by the Devon seaside, and making his bones in the bars and clubs of Liverpool, John has released five albums with over 10 million Spotify streams. He has played to audiences all over the world in living rooms, festival tents and sold-out concert halls. He is a genuine folksinger, an inquisitive truth-seeker, devoted song interpreter and enchanting writer. Steeped in the lineage of British folk, taking his cue from Richard Thompson and John Martyn, Smith has evolved a transatlantic blend of fingerstyle and slide guitar techniques. John’s intimate takes on love, loss and the journey we make, combined with his innovative guitar work, have won him a loyal following. His honey-on-gravel voice and mesmerizing fingerstyle guitar are undeniable. Sometimes using a slide, sometimes with guitar on his lap, sometimes detuning mid-song, Smith’s obsession with the instrument has made a master of him. Whether by way of album or concert, he leads the listener, enthralled in his presence, on a viscerally emotional journey. A contributor and collaborator, John quickly and effortlessly earns the esteem of his comrades and heroes. He has opened for folk greats including John Martyn, Davy Graham and John Renbourn, who called John Smith “the future of folk music.” On the contemporary side, he has also opened for Iron and Wine, Tinariwen, and Ben Howard. He has guested with artists such as Jackson Browne, Martin Carthy, Richard Hawley, Jarvis Cocker, Jerry Douglas, Glen Hansard and Rodney Crowell; and in his occasional role as sideman, he has played guitar for artists such as David Gray, Lisa Hannigan, Lianne La Havas, Joe Henry and Joan Baez. He has released five records - his most recent “Headlong” (2017) reached #15 in the Indie Breakers chart, #1 on iTunes’ Singer-Songwriter chart, and amassed over 10 million Spotify streams. Quotes: “The future of Folk Music” - John Renbourn “You’re smiling even as tears catch in your throat.” -Mojo “Far from the connotations his name brings, John Smith is one of a kind.” -Wonderland“Refreshing openness and honesty.” -Total Guitar “I believe in John Smith; his motivations are pure, his vision is straight, his music is honest and true.” -Kelly Joe Phelps “A guitar genius…He sounds as though he arrived 60 years ago but looks startlingly young, perched on a chair, quietly confident, charming and instantly engaging.” -The Sun “Staggeringly good.” -Acoustic MagazineFind out more »
Exclusive New Music Debut - Two Sides of Canadiana Chris Frye spreads his wings again - over a decade since his last solo release, the lead singer/guitarist and songwriter with Canadian folk-roots heroes The Bills has teamed up with some of the country’s most soulful musicians to create an energized, intelligent, soulful, fun and funky new record of his latest original compositions: Two Sides of Canadiana. Featuring an eight-piece band, including horn section, the new material is indeed separated into two sides of musical pleasure: The Heat (full-blown, good-time roots/soul), and The Chill (folksy, acoustic-based Canadiana). All with a deep focus on themes and topics that Chris sees defining this nation and his place in it. The Analog Ghosts is Chris’ umbrella name for whichever incredible musicians and singers he recruits to help him realize his latest musical vision. In this case, it’s all about Canada’s (and its southern neighbour’s) somewhat painful growth into the third decade of the 21st century. From his draft-dodging, peace-loving fiddler father to his mother’s family’s three centuries in what is now Quebec, Ontario and B.C., Chris draws upon stories and themes both old and arrestingly current to conjure up a grooving, pulsating and poetic ode to the nation he loves so dearly. This concert will be the debut of Chris’ new music, and the band will be frightfully special, including: Miguelito Valdes on trumpet: having emigrated from Cuba after touring the world with members of the Buena Vista Social Club and the Afro Cuban All-Stars, Miguelito is true super star. A mind-blowing, world class player. Brooke Maxwell on keyboards and saxophone - the composer of music for one of Canada’s best known, off-Broadway musical theatre pieces, Ride the Cyclone, Brooke is one of Chris’ dearest friends and a constant musical collaborator. Peter Dowse on bass - one of the funkiest Canadians to ever pick up a four-stringed instrument, Peter recorded for years in New York and Montreal, playing on hundreds of classic R&B, soul and funk albums. You have to hear him live to believe his soul and groove. And the list of amazing Analog Ghosts goes on. Expect a fantastic, fun, and deeply Canadian musical journey as Chris Frye and the Analog Ghosts provide an old-fashioned, light-it-up, good time, thought-provoking evening of Rogue summer magic. There will even be a few Canadian classics by other songwriters thrown into the show for good measure!Find out more »